FR

Measures for a Funeral

Sofia Bohdanowicz

2024

Audrey Benac (Deragh Campbell, Anne at 13,000 ft) confronts her history and destiny as she dives into the life of forgotten Canadian violinist Kathleen Parlow. Leaving behind her dying mother, herself a failed violinist, Audrey is haunted by her mother’s unfulfilled dreams. She begins her journey through archives and memories, from Toronto to London to Oslo. It’s not just about bringing Parlow’s music back to life; it’s a quest for closure and understanding, seeking peace with her mother’s legacy through the echoes of a lost concerto dedicated to Parlow entitled ‘Opus 28’. Measures for a Funeral is a haunting epic of a woman in transition between the past and the future from director Sofia Bohdanowicz (MS Slavic 7).

CREDITS

A film by 
Sofia Bohdanowicz
Starring 
Deragh Campbell, María Dueñas, Melanie Scheiner, Maxim Gaudette, Eileen Davies, Eve Duranceau, Rosa-Johan Uddoh, Mary Margaret O’hara, Yannick Nézet-Séguin
Executive Producers
Ryan Krisvoshey, Simone Urdl, Mustafa Uzuner
Produced by
Aonan Yang, Andreas Mendritzki, Sofia Bohdanowicz 
Co-producer
Priscilla Galvez
Cinematographer 
Nikolay Michaylov
Written by
Sofia Bohdanowicz and Deragh Campbell
Edited by
Pablo Alverez mesa and Sofia Bohdanowicz 
Original Music by
Olivier Alary 
Music Producer 
Amanda Hadi
Sound Recordist 
Ian Reynolds
Re-Recording Mixer
Lucas Prokaziuk 
Sound Editor 
Stefana Fratila 
Production Designer
Jessica Hart
Costume Designer 
Mara Zigler 
Steadicam Operator 
 Benoit C. Gauthier 
AWARDS

Grand Prix FNC

SCREENINGS

November 7, 2025 - Cinéma Moderne - Q&A with Sofia Bohdanowicz, Eve Duranceau, Pablo Alvarez Mesa, Olivier Alary & Jess Hartt

November 9, 2025 - Cinéma Moderne

November 23, 2025 - Cinéma Musée - panel with Andreas Mendritzki, Olivier Alary, Hourman Behzadi, Hourman Behzadi, Fabienne Voisin, Mathilde Lemieux- moderated by Émilie Poirier

November 29, 2025 - Cinéma Moderne

PRESS

It feels like we’re stepping into an Alfred Hitchcock dream. ★★★★

— Phil Hoad, The Guardian

Bohdanowicz’s most ambitious work

— José Teodoro, Film Comment

An epically scaled academic drama

— Sarah Fensom, Reverse Shot

Campbell’s performance evokes something grand/

— Saffron Maeve, MUBI

The film is marked by its exquisite visual language

— Sonya Vseliubska, Vogue